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Händel, Georg Friedrich: Imeneo (HHA) II/40

Dramma per musica in 3 acts

complete edition

Edited by Burrows, Donald
器乐创作: ASolo/SSolo1/SSolo2/BSolo1/BSolo2/Mixed choir/Orch
系列: Halle Handel Edition
时期: Baroque
时长: 2:00
Weight: 1.752 kg
出版者: Bärenreiter
刊物代码: BA4072
其他出版代码: BA04072
ISMN: 9790006497874
Imeneo was premiered at Lincoln 's Inn Field in London on 22 November 1740 and given a second performance on 13 December of the same year. Unlike the varied events and convoluted action otherwise typical of opera seria , it has an uncomplicated plot line with a clear dramatic structure and excellent music. The arranger of the libretto is unknown.
Handel wrote this opera for his final season in London , but he also revived it in Dublin on 24 and 31 March 1742 as a ' serenata '. For this revival, presumably a concert performance, he altered the 1740 score. The alterations are listed in the appendix to the vocal score.
Our vocal score is based on the Urtext of the full score published in the Halle Handel Edition.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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