Cena: $2.74 (Brez DDV)
Online availability: In stock
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Mozart, Wolfgang Amadeus: Adagio for Clarinet and Orchestra (K. 622)

from the Concerto in A major

sheet music

Arranged by Schelhaas, Martin
Zasedba: Clarinet and Piano
Serija: Bärenreiter Urtext
Obdobje: Classic
Jezik: English, German
Število strani: 10 strani
Leto izdaje: 2023
Založba: Bärenreiter
Številka artikla: BA8649
Založniška številka: BA08649
ISMN: 9790006577309
Mozart’s Clarinet Concerto is a central work in the clarinet literature and a benchmark for every clarinettist. Mozart completed it two months before his death; it was the last solo concerto he wrote. He dedicated the composition to his friend, the clarinettist Anton Stadler, who was known for his expressive tone and who took the concerto on tour in the years that followed.

This single edition of the slow movement from Mozart's Clarinet Concerto has been issued as part of a series of popular works from the Bärenreiter catalogue celebrating the 100th anniversary of the publishing house. It is an excerpt from the piano reduction of the complete concerto (BA04773-90) which is based on the Urtext of the ''New Mozart Edition''. The Adagio in ABA song form has been quoted many times, for example in the popular film ''Out of Africa''.

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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