At first sight, this publication appears to be a collection of pieces, for the technical studies, not too attractive but so characteristic of tutors, are missing. Yet the selection of the works, their order according to the development of ensemble playing and the advice includeed after the foreword and containig proposals for the technical realization of ensemble playing in the case of certain typical pieces ╩ these all make this publication a tutor.The works form a cross-section of a longer period of the history of chamber music and offer an insight into thedifferent methods of composition.

Volume III is approximately the same grade of difficulty as Volume II, but in Viennese Classicism a more sophisticated handling of the bow is required. In addition to the works of Haydn, Mozart and Beethoven pieces by less well-known masters are also included.