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Quartets for Woodwinds

score and parts

Selected, transcribed and edited by Zempléni László
Instrument: Wind Quartet
Seria: Musica da camera for music schools
Rodzaj: Pedagogical performance pieces
Zasięg: 78 stron
Format: 23 x 30,2 cm (Bach)
Waga: 0.214 kg
Pierwsze wydanie: 1 marca 2010
Wydawca: Editio Musica Budapest Zeneműkiadó
Numer katalogowy: 14685
ISMN: 9790080146859
In this volume the compiler's aim has been to offer young woodwind players the most colourful selection possible of pieces of differing character from different musical periods. The same quest for variety is observable in the instrumentation as well: roughly half the material in the volume can be performed without oboe and/or bassoon and also in the remaining pieces, with two exceptions, the oboe can be replaced by a flute or clarinet.

Zawartość
1.
Palestrina, Giovanni Pierluigi da: Ricercare - Fl.-Ob.(Fl./Cl.)-Cl.-Fg
2.
Purcell, Henry: The mavis - Fl.-Ob.(Fl./Cl.)-Cl.-Fg
3.
Mozart, Wolfgang Amadeus: German dance - Fl.-Ob.(Cl.)-Cl.-Fg
4.
Schubert, Franz: Waltz - Fl.-Ob.(Fl./Cl.)-Cl.-Fg
5.
Donizetti, Gaetano: Romanza (L'elisir d'amore, 'Una furtiva lagrima') - Fl.-Ob.(Cl.)-Cl.-Fg
6.
Franck, César: Panis angelicus - Fl.-Ob.-Cl.-Fg
7.
Bizet, Georges: Habanera (Carmen) - Fl.-Ob.(Fl./Cl.)-Cl.-Fg
8.
Tchaikovsky, Pyotr Ilyich: Mazurka - Fl.-Ob.(Fl./Cl.)-Cl.-Fg
9.
Tchaikovsky, Pyotr Ilyich: Polka - Fl.-Ob.(Fl./Cl.)-Cl.-Fg
10.
Posch, Isaac: Intrade & Courante - Fl.-Ob. (Fl.)-Cl. I-II
11.
Susato, Tielman: Bergerette - Fl.-Ob. (Fl.)-Cl. I-II
12.
Caldara, Antonio: Canon - Fl.-Ob. (Fl.)-Cl. I-II
13.
Mozart, Wolfgang Amadeus: Contretanz - Fl.-Ob. (Fl.)-Cl. I-II
14.
Grieg, Edvard: Waltz - Fl.-Ob.-Cl. I-II
15.
Hassler, Hans Leo: Madrigal - Fl. I-II, Cl. I-II
16.
Hassler, Hans Leo: Gagliarda - Fl. I-II, Cl. I-II
17.
Tchaikovsky, Pyotr Ilyich: Maman - Fl. I-II, Cl. I-II
18.
Tchaikovsky, Pyotr Ilyich: Russian song - Fl. I-II, Cl. I-II
19.
Bárdos Lajos: Hungarian folksong - Fl. I-II, Cl. I-II
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Musica da camera
"Musica da camera" is a series which was compiled with music schools in mind. Many of the works contained in it are transcriptions which have been adapted to the technical conditions and character of a given instrument. However, even the easiest pieces demonstrate a great deal of musical value. The series features twelve volumes containing trios and quartets for various instrumentations. Among these, five volumes are designed for groups consisting of one type of instrument (i.e., arrangements for 3 or 4 flutes, 3 violins, 3 guitars, and 3 or 4 French horns respectively).
 

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