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Dvořák, Antonín: Humoresques V/4

partition de concert

Op. 101
Instrumentation: Piano
Instrumentation: piano
Collection: The Complete Works of Antonín Dvorák
Période: Moyen-age, romantique
Poids: 0.192 kg
Editeur: Bärenreiter
Numéro d’édition: H1274
Cotage de l'editeur: H01274
ISMN: 9790260106239
During his stay in America (September 1892 - April 1895), Dvorák filled his sketchbooks with thematic concepts, many of which he used soon after in the compositions he created there, others he retained unused. In the summer of 1894 he interrupted his American stay and spent most of the holidays at his favourite retreat in the village of Vysoká u Príbrame. In his moments of rest in his beloved Czech countryside, the composer was struck with the idea to create a number of trifles for piano, and for these he used some of the thematic material from his recent two-year stay over the ocean. Thus began the cycle, which he only later called 'Humoresques', and which was published by Simrock immediately in the autumn of 1894. The seventh Humoresque was soon published in arrangements for all kinds of instruments, and became one of his most popular pieces ever. The publication is part of the first Complete Critical Edition of the Works of Antonín Dvorák.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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