Adler-McKean, Jack: The Techniques of Tuba Playing

livre

Instrumentation: Tuba
Pages: 211 pp
Editeur: Bärenreiter
Numéro d’édition: BVK2421
Cotage de l'editeur: BVK02421
ISMN: 9783761824214
This book on the tuba is a companion for composers and players alike, deepening their understanding of this somewhat neglected family of instruments. It gives tuba players an opportunity to master and employ new performance techniques on their instrument, particularly in contemporary music.
Jack Adler-McKean offers helpful instruction in various tuning mechanisms, resonance properties, new forms of notation and contemporary practices. Using the most recent research, he subdivides and reconstructs processes of sound generation and modification to display the broad range of tonal possibilities in the tuba family, many of which can also be applied to other brass instruments.
The text is illustrated with numerous music examples and diagrams and is supplied with instructive audio samples which can be downloaded from the Barenreiter website.
The author
Born in London in 1988, Jack Adler-McKean works primarily as a tuba player with a focus on contemporary music. He has played in o rchestras including the WDR Sinfonieorchester Köln and the BBC Scottish Symphony Orchestra. He has also given solo and ensemble recitals, for example in New York and Buenos Aires with Klangforum Wien, Ensemble Modern and the Deutsche Oper Berlin.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

LETTRE D’INFORMATION

Ici vous pouvez vous inscrire à nos lettres d’information.

REJOIGNEZ UNE COMMUNAUTÉ

de mélomanes, d'éducateurs et d'interprètes