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Lexikon "Musik und Gender"

livre

Édité par Kreutzinger-Herr, Annette – Unseld, Melanie
Pages: 610 pp
Poids: 1.449 kg
Editeur: Bärenreiter
Numéro d’édition: BVK2043
Cotage de l'editeur: BVK02043
ISMN: 9783761823910
The ' Lexikon Musik und Gender' (in German) combines gender-relevant topics from music and its history in a compact reader and reference work. A historical section contains surprising insights into music history from the medieval period to the present day. The encyclopaedia part contains articles on keywords in the field of musicological gender research,   together with biographical articles on selected women from the main areas of music history:
performance, teaching, instrument making, composition and music historiography.
The encyclopaedia is an indispensable reference work for all who work in the areas of media, research and teaching, as well as musicians and music-lovers.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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