Prix: $26.10 (excl. TVA)
Disponibilité en-ligne: En stock
Disponibilité en magasin: En stock

Sassmannshaus, Egon: Bärenreiter's Cello Collection

Concert pieces for cello and piano

piano score

Édité par Sassmannshaus, Christoph
Instrumentation: Violoncelle et piano
Instrumentation: Vc/piano
Langue: English, German
Degré de difficulté: 2
Poids: 0.368 kg
Date du parution: 1 mars 2014
Editeur: Bärenreiter
Numéro d’édition: BA9695
Cotage de l'editeur: BA09695
ISMN: 9790006536580
In the line with the series Barenreiter's Concert Pieces which comprises editions geared towards young violinists, we are now publishing a separate collection for young cellists playing their first concerts. This edition contains 18 easy-to-learn concert pieces from the Baroque, Classical and Romantic periods including Dvorák's Humoresque, Mendelssohn Bartholdy's Song without Words, Fauré's Berceuse and The Swan by Camille Saint-Saëns.
The editor is Christoph Sassmannshaus, the grandson of the founder of The Sassmannshaus tradition, Egon Sassmannshaus.
- Pieces for solo cello with piano accompaniment
- Easy to medium difficulty
- Ideal repertoire for cellists who have completed Early Start on the Cello, volumes 3 and 4 (BA 8998, BA 8999)
A selection:
Simonetti, Madrigal / Beethoven, Minuet / Dvorák, Humoresque / Wolf, Wiegenlied / Goltermann, Notturno / Klengel, Sarabande / Mendelssohn Bartholdy, Song without Words / Fauré, Sicilienne / Saint-Saëns, The Swan

Contenu

1.
Achille Simonetti: Madrigal
2.
Ludwig Van Beethoven: Minuet 
3.
Antonin Dvorak: Humoresque
4.
Hugo Wolf: Wiegenlied
5.
George Goltermann: Notturno
6.
Julius Klengel: Sarabande
7.
Felix Bartholdy Mendelssohn: Song without Words
8.
Gabriel Faure: Sicilienne
9.
Camille Saint-Saens: The Swan
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

How can I shop?

Online purchase:

Buy directly from our web-shop via credit/debit card payment. With this method, only publications which we currently have on stock can be purchased.

In-store pickup:

If you prefer not to shop online, you also have the option to order from our website and we will forward your order to one of our partner music shops of your choosing. In this case, you will buy the scores directly from the shop and pay for them there upon pickup.

Your purchase and payment method can be set here.

Copyright information

Please note that it is illegal to photocopy copyright protected music without the permission of the copyright holder.

To photocopy is to deprive the composer/author of his/her rightful income for his/her intellectual property.