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Dvořák, Antonín: String Quartet IV/5

parts

Arreglo: String Quartet
Instrumentación: 2V/Va/Vc
Serie: The Complete Works of Antonín Dvorák
Época: Romanticismo
Peso: 0.533 kg
Editorial: Bärenreiter
Nº de artículo: H3813
Nº de editorial: H03813
ISMN: 9790260106024
We do not know exactly when Dvorák composed his String Quartet in D major, though we may assume it was in the period between 1868-9. Among other things, the work reflects the contemporary national and political mood, as is clear from the quotation of the introductory bars of the song Hej Slované (O Slavs), the author even uses this thematic material to build an entire scherzo movement. In its character, the quartet claims kinship with what were then seen as the strongly progressive ideals of Wagner. The work has survived only in the parts. The current edition is published within the first Complete Edition of the Works of Antonín Dvorák.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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