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Dvořák, Antonín: String Quartet IV/7

parts

Op. 61
Arreglo: String Quartet
Instrumentación: 2V/Va/Vc
Serie: The Complete Works of Antonín Dvorák
Época: Romanticismo
Peso: 0.313 kg
Editorial: Bärenreiter
Nº de artículo: H1791
Nº de editorial: H01791
ISMN: 9790260106093
Dvorák wrote his eleventh string quartet in 1881 during a shortage of time while composing the opera Dimitrij. The whole four-movement piece took about a month of work, and Dvorák included some of his older themes in it. The piece was to be premiered in Vienna by Josef Hellmesberger's quartet, to whom it was dedicated, but the deal was cancelled and the quartet was performed several times in Germany and in Prague. It was published in 1882 by Simrock, also in a piano four hands arrangement by Josef Zubatý. The current edition of the parts is published within the first Complete Edition of the Works of Antonín Dvorák.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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