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Boëllmann, Léon: Heures mystiques: 50 Versets IV

playing score

Edited by Schauerte Maubouet, Helga
Setting: Organ
Instrumentation: Org
Period: Romantic
Weight: 0.418 kg
Publisher: Bärenreiter
Item number: BA8464
Other reference: BA08464
ISMN: 9790006525102
Léon Boëllmann (1862-1897) studied at the École Niedermeyer and was titular organist at St-Vincent-de-Paul in Paris. In the tradition of Saint-Saëns, Franck and Gigout, his compositions reflect the elegant urbanity of the Belle époque.
Published in 1896, Heures mystiques is a collection of one-hundred short pieces for organ or harmonium offering organists a treasure-trove of easy compositions for use in church services. The appendix contains suggested alterations to the musical text as examples for imaginative renditions on multi-manual instruments.
- First complete Urtext edition of the works of Léon Boëllmann in six volumes
- Easy pieces for use in church services
- Based on the latest scholarship and newly discovered sources
- Detailed preface and critical report in French, English and German
- Facsimiles of previously unknown source material and catalogue of sources
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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