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Händel, Georg Friedrich: Zadok the priest

Coronation Anthem

score

Edited by Blaut, Stephan
Setting: Mixed Voices
Instrumentation: Mixed choir(SSAATBB)/2Ob/2bassoon/3Trp/timpani/3V/Va/Bassi(Vc/double bass/bassoon/Org)
Series: Bärenreiter Urtext
Period: Baroque
Grade: 3
Weight: 0.156 kg
Published: 2016
Publisher: Bärenreiter
Item number: BA10258
Other reference: BA10258
ISMN: 9790006562176
Zadok the priest and The King shall rejoice are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king's anointment, HWV 260 his actual coronation. Thanks to their festive and majestic character befitting the occasion as well as their spacious scoring for large choir and orchestra, it comes as no surprise that motifs from Zadok the priest have found their way into the official hymn of the UEFA Champions League.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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